第44章 VII THE ETERNAL REVOLUTION(5)

If you want to treat a tiger reasonably, you must go back to the garden of Eden. For the obstinate reminder continued to recur: only the supernatural has taken a sane view of Nature. The essence of all pantheism, evolutionism, and modern cosmic religion is really in this proposition: that Nature is our mother. Unfortunately, if you regard Nature as a mother, you discover that she is a step-mother. The main point of Christianity was this: that Nature is not our mother:

Nature is our sister. We can be proud of her beauty, since we have the same father; but she has no authority over us; we have to admire, but not to imitate. This gives to the typically Christian pleasure in this earth a strange touch of lightness that is almost frivolity.

Nature was a solemn mother to the worshippers of Isis and Cybele.

Nature was a solemn mother to Wordsworth or to Emerson.

But Nature is not solemn to Francis of Assisi or to George Herbert.

To St. Francis, Nature is a sister, and even a younger sister: a little, dancing sister, to be laughed at as well as loved.

This, however, is hardly our main point at present; I have admitted it only in order to show how constantly, and as it were accidentally, the key would fit the smallest doors. Our main point is here, that if there be a mere trend of impersonal improvement in Nature, it must presumably be a simple trend towards some simple triumph.

One can imagine that some automatic tendency in biology might work for giving us longer and longer noses. But the question is, do we want to have longer and longer noses? I fancy not;

I believe that we most of us want to say to our noses, "thus far, and no farther; and here shall thy proud point be stayed:" we require a nose of such length as may ensure an interesting face.

But we cannot imagine a mere biological trend towards producing interesting faces; because an interesting face is one particular arrangement of eyes, nose, and mouth, in a most complex relation to each other. Proportion cannot be a drift: it is either an accident or a design. So with the ideal of human morality and its relation to the humanitarians and the anti-humanitarians.

It is conceivable that we are going more and more to keep our hands off things: not to drive horses; not to pick flowers. We may eventually be bound not to disturb a man's mind even by argument; not to disturb the sleep of birds even by coughing. The ultimate apotheosis would appear to be that of a man sitting quite still, nor daring to stir for fear of disturbing a fly, nor to eat for fear of incommoding a microbe. To so crude a consummation as that we might perhaps unconsciously drift. But do we want so crude a consummation? Similarly, we might unconsciously evolve along the opposite or Nietzschian line of development--superman crushing superman in one tower of tyrants until the universe is smashed up for fun. But do we want the universe smashed up for fun?

Is it not quite clear that what we really hope for is one particular management and proposition of these two things; a certain amount of restraint and respect, a certain amount of energy and mastery?

If our life is ever really as beautiful as a fairy-tale, we shall have to remember that all the beauty of a fairy-tale lies in this: that the prince has a wonder which just stops short of being fear.

If he is afraid of the giant, there is an end of him; but also if he is not astonished at the giant, there is an end of the fairy-tale. The whole point depends upon his being at once humble enough to wonder, and haughty enough to defy. So our attitude to the giant of the world must not merely be increasing delicacy or increasing contempt: it must be one particular proportion of the two--which is exactly right.

We must have in us enough reverence for all things outside us to make us tread fearfully on the grass. We must also have enough disdain for all things outside us, to make us, on due occasion, spit at the stars. Yet these two things (if we are to be good or happy) must be combined, not in any combination, but in one particular combination. The perfect happiness of men on the earth (if it ever comes) will not be a flat and solid thing, like the satisfaction of animals. It will be an exact and perilous balance; like that of a desperate romance. Man must have just enough faith in himself to have adventures, and just enough doubt of himself to enjoy them.

This, then, is our second requirement for the ideal of progress.

First, it must be fixed; second, it must be composite. It must not (if it is to satisfy our souls) be the mere victory of some one thing swallowing up everything else, love or pride or peace or adventure; it must be a definite picture composed of these elements in their best proportion and relation. I am not concerned at this moment to deny that some such good culmination may be, by the constitution of things, reserved for the human race. I only point out that if this composite happiness is fixed for us it must be fixed by some mind; for only a mind can place the exact proportions of a composite happiness.

If the beatification of the world is a mere work of nature, then it must be as simple as the freezing of the world, or the burning up of the world. But if the beatification of the world is not a work of nature but a work of art, then it involves an artist.

And here again my contemplation was cloven by the ancient voice which said, "I could have told you all this a long time ago.

If there is any certain progress it can only be my kind of progress, the progress towards a complete city of virtues and dominations where righteousness and peace contrive to kiss each other.

An impersonal force might be leading you to a wilderness of perfect flatness or a peak of perfect height. But only a personal God can possibly be leading you (if, indeed, you are being led) to a city with just streets and architectural proportions, a city in which each of you can contribute exactly the right amount of your own colour to the many coloured coat of Joseph."